Well, the reason I wanted to do the book was I don’t look back. You’re making a history, you’re curating moments and images from this entire period: What was significant to you? ![]() I would love to hear a little bit about the process of making the book. Go ahead and ask me whatever you would like. I lived there for 20 years, and I miss it. I’m from Hawaii originally, so I’m moving farther and farther to colder and darker places. I mean, I love Los Angeles and it’s a beautiful, sunny day, but I miss so much the people and the culture. publication, and I just did one in New York, but it’s a Berlin publication. It’s fascinating, because I’ve been doing interviews this morning, and you live in London, I believe, and you write for a U.S. ![]() We talk about making Tom Ford 002, the intimacy of his work, and his evolving relationship to sustainability.įirst of all, it’s really an honor to speak with you, and I really appreciate your time. He makes me feel comfortable (a depth of good manners, which supersedes perfect posture and opening doors). When I call him in Los Angeles from London, Ford is a gentleman in the true sense. It’s honestly the ideal holiday gift (to give a very chic person or, frankly, yourself). Film stills and behind-the-scenes shots from A Single Man and Nocturnal Animals are hand-selected by Ford. (Look for a bottle of Black Orchid held between two breasts, as well as Ford, in his signature three-piece suit, buffing the behind of a blond male model twin-sexual, yes, but injected with humor.) An interview with Bridget Foley spans introspective topics, including how Ford came to terms with his identity after leaving Gucci, his relationship to addiction and sobriety, and how fatherhood has shifted his approach to life and design. The pages are filled with celebrity moments, lush images, and unforgettable editorials and advertising campaigns. It delves into his entrance into fragrance and beauty, his return to design, and his entrée into filmmaking. (Apparently, it was banned from the pages of House Beautiful because it was so ubiquitous among the beautiful homes profiled.) The new tome is a visual remembrance of the 15 years after Ford left Gucci Group. It is a follow-up to his first offering, the black-and-white coffee-table favorite chronologizing his years at Gucci and seen in the living rooms of everyone from Kim Kardashian to an almost endless array of interiors influencers. Soon, Ford will release his second book, Tom Ford 002. (She went to law school in the 1940s and later drove a 1969 Jaguar E-Type and for many decades, a 1971 SL-not your typical grandma.) You know a Tom Ford woman when you see one. She was both incredibly traditional and deeply transgressive of so many long-standing conventions of how a woman should be. His films-quiet, beautiful, devastating, as emotively nuanced as they are visually rich-are his true lasting imprint. He has not just created immaculate, richly impactful garments and accessories, first at Gucci then at YSL and with his own brand, but arguably, has influenced the very way in which we collectively perceive sexuality and desire. Perhaps more than any other living designer, he’s a legend of the culture-shaping variety. Partially because of this folklore, but mainly of his legacy, I was quite nervous when I called Mr. He painted the tractors on his ranch all black to complement his black horses and black Angus cattle. Editing his films frame by frame, and zooming in to amplify a shade of cantaloupe to give it the ideal tone getting down on one knee, impeccably mannered, to ask Stella McCartney to be his son’s godparent. ![]() And he’s famous for being a perfectionist with an attention to detail rivaling Stanley Kubrick (not to mention all his fellow Virgos). The man is as mythological as his brand-known for sleek glamour of the ultimate old-school Hollywood variety. There are wild stories about Tom Ford interviews.
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